This second part of the Mission Impossible: Performance Photography article will deal with the challenges we face and how to best use our equipment to conquer them.
Equipment
What’s are the three most important pieces of equipment for available light, performance photography? Fast glass. Fast glass....
Fade In POV (Camera Left)
Theme from Mission Impossible playing in the background. Cut to a pair of hands taking a cassette tape out of an envelope and placing it in a tape deck. (For those of you too young to remember what a cassette tape is, it was the predecessor of the CD and DVD). Bring down the music...
I know. Yet another article about tethering? Yes. But, this one will be short. I’ve already written extensively about the topic both in a newsletter article and in a review of onOne Software’s DSLR Remote Pro.
In the onOne review I wrote:
The upside of shooting tethered is: (1) the ability to...
For a while it was a mystery. I just didn’t get it.
No matter how I set the white balance in my Nikon cameras — be it preset or custom — when I opened my images in either Adobe Camera RAW (ACR) or Lightroom (which are, in essence, the same thing) the White Balance number would be way off....
Recent Comments