This second part of the Mission Impossible: Performance Photography article will deal with the challenges we face and how to best use our equipment to conquer them.

I know. Yet another article about tethering? Yes. But, this one will be short. I’ve already written extensively about the topic both in a newsletter article and in a review of onOne  Software’s DSLR Remote Pro.

For a while it was a mystery. I just didn’t get it. No matter how I set the white balance in my Nikon cameras — be it preset or custom — when I opened my images in either Adobe Camera RAW (ACR) or Lightroom (which are, in essence, the same thing) the White Balance number would be way...

Some form of this question has come up in almost every lighting seminar we’ve taught. With the convergence of still and motion photography — with the morphing of DSLR’s into de facto video cameras, this question is quite timely. As I’ve mentioned before, I learned my lighting...