Some form of this question has come up in almost every lighting seminar we’ve taught. With the convergence of still and motion photography — with the morphing of DSLR’s into de facto video cameras, this question is quite timely.
As I’ve mentioned before, I learned my lighting on film...
More and more, many of us are finding ourselves shooting “on location” away from the comfort and equipment in our studios. What makes studio shooting so much easier for most of us is that we have (1) control over the environment, and, (2) all of our tools are in one place, ready for use.
To me,...
Nowhere is the battle against specular highlights more pronounced than when one tries to photograph a framed piece of artwork.
“Specular highlights” a direct reflection of the light source on a subject, also known as “glare”, is the bane of all who try to photograph reflective...
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