Photoshop | PrairieFire Productions

Cool Tools: Sofortbild Tethering Software

Posted by Steve Herzberg on Dec 16, 2009 in Quick Focus | 1 comment

I know. Yet another article about tethering? Yes. But, this one will be short. I’ve already written extensively about the topic both in a newsletter article and in a review of onOne Software’s DSLR Remote Pro. In the onOne review I wrote: The upside of shooting tethered is: (1) the ability to...

Camera Profiles and the ColorChecker Passport — The What, Why and How

Posted by Steve Herzberg on Nov 27, 2009 in Featured Articles | 6 comments

For a while it was a mystery. I just didn’t get it. No matter how I set the white balance in my Nikon cameras — be it preset or custom — when I opened my images in either Adobe Camera RAW (ACR) or Lightroom (which are, in essence, the same thing) the White Balance number would be way off....

Cool Tools: Matthews Magic Stand

Posted by Steve Herzberg on Oct 21, 2009 in Quick Focus | 0 comments

My name is Steve. I’m a tool junkie. I’m in love with a light stand. How did it happen? It called to me. The moment I saw it in a Matthews catalog, it called to me. All I could hear were the paraphrased words from a great Heart song: You don’t have to love me yet, Let’s get high a...

Cool Tools: onOne’s DSLR Remote Pro

Posted by Steve Herzberg on Sep 6, 2009 in Quick Focus | 2 comments

A “marriage made in heaven”? Absolutely? Brangelina? No, I can’t get into that stuff. To me, the new SuperCouple of the Day was formed when my iPhone 3GS bonded with my Nikon D3. Two of my favorite tools joined in the pursuit of happiness and perfection. The matchmaker? onOne...

Review: 3 Dimensional Contrast: Principles of Lighting for the Digital Age

Posted by Steve Herzberg on Aug 7, 2009 in Quick Focus | 0 comments

To many of us, “contrast” is an afterthought — a slider in Photoshop or a setting in our cameras that has something to do with the relationship between the dark and light areas in our images. We use the slider without vision or purpose. To Dean Collins, controlling and manipulating contrast...