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Self Assignment: No More Pretty Pictures

This shoot came from my “Dark Side”. The basic concept was simple — to show that contrary to what glossy magazines and movies may tell us, beauty does not necessarily bring happiness. And, that for some, external beauty can be a trap because it blinds many an eye to the internal picture...

Camera Profiles and the ColorChecker Passport — The What, Why and How

For a while it was a mystery. I just didn’t get it. No matter how I set the white balance in my Nikon cameras — be it preset or custom — when I opened my images in either Adobe Camera RAW (ACR) or Lightroom (which are, in essence, the same thing) the White Balance number would be way off....

Cool Tools: Matthews Magic Stand

My name is Steve. I’m a tool junkie. I’m in love with a light stand. How did it happen? It called to me. The moment I saw it in a Matthews catalog, it called to me. All I could hear were the paraphrased words from a great Heart song: You don’t have to love me yet, Let’s get high a...

Busman’s Holiday: Shooting with Hanson Fong and My New Profoto D1 Airs

Webster’s: Busman’s Holiday — a holiday spent following or observing the practice of one’s usual occupation. A couple of weeks ago, my good friend Hanson Fong, fresh off an appearance at the Houston stop on the Beauty and Beast tour, took a day off and hung out with me. So, how did we...

Q: I’m confused. What are the differences between “hot lights” and “strobes”?

Some form of this question has come up in almost every lighting seminar we’ve taught. With the convergence of still and motion photography — with the morphing of DSLR’s into de facto video cameras, this question is quite timely. As I’ve mentioned before, I learned my lighting on film...

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