This second part of the Mission Impossible: Performance Photography article will deal with the challenges we face and how to best use our equipment to conquer them.

Fade In POV (Camera Left) Theme from Mission Impossible playing in the background. Cut to a pair of hands taking a cassette tape out of an envelope and placing it in a tape deck. (For those of you too young to remember  what a cassette tape is, it was the predecessor of the CD and DVD). Bring down the...

For a while it was a mystery. I just didn’t get it. No matter how I set the white balance in my Nikon cameras — be it preset or custom — when I opened my images in either Adobe Camera RAW (ACR) or Lightroom (which are, in essence, the same thing) the White Balance number would be way...

Webster’s: Busman’s Holiday — a holiday spent following or observing the practice of one’s usual occupation. A couple of weeks ago, my good friend Hanson Fong, fresh off an appearance at the Houston stop on the Beauty and Beast tour, took a day off and hung out with me. So, how...

Some form of this question has come up in almost every lighting seminar we’ve taught. With the convergence of still and motion photography — with the morphing of DSLR’s into de facto video cameras, this question is quite timely. As I’ve mentioned before, I learned my lighting...

More and more, many of us are finding ourselves shooting “on location” away from the comfort and equipment in our studios. What makes studio shooting so much easier for most of us is that we have (1) control over the environment, and, (2) all of our tools are in one place, ready for use.