color calibration | PrairieFire Productions

Camera Profiles and the ColorChecker Passport — The What, Why and How

Posted by Steve Herzberg on Nov 27, 2009 in Featured Articles | 6 comments

For a while it was a mystery. I just didn’t get it. No matter how I set the white balance in my Nikon cameras — be it preset or custom — when I opened my images in either Adobe Camera RAW (ACR) or Lightroom (which are, in essence, the same thing) the White Balance number would be way off....

Q: I’m confused. What are the differences between “hot lights” and “strobes”?

Posted by Steve Herzberg on Sep 1, 2009 in Featured Articles | 5 comments

Some form of this question has come up in almost every lighting seminar we’ve taught. With the convergence of still and motion photography — with the morphing of DSLR’s into de facto video cameras, this question is quite timely. As I’ve mentioned before, I learned my lighting on film...

Q: Does it matter which color space I select in my camera?

Posted by Steve Herzberg on Jul 29, 2009 in Featured Articles | 12 comments

Answer: Yes. No. Maybe. Confused? Read on. With all of the attention properly being paid to color management, I’ve been asked whether it matters which color space one uses in the camera — and if so, which one to use. Without going into an in depth discussion of the concept of “color...

Lighting Framed Artwork: Beating the Glare

Posted by Steve Herzberg on May 25, 2009 in Featured Articles | 13 comments

Nowhere is the battle against specular highlights more pronounced than when one tries to photograph a framed piece of artwork. “Specular highlights” a direct reflection of the light source on a subject, also known as “glare”, is the bane of all who try to photograph reflective...